Mini Review

FACChorus – Review

FACChorus by: Frederic Corvest 

Available in the iTunes App Store and the Mac App Store


FACChorus (Fred Anton Corvest) is a stand alone, versatile Chorus effects app designed to emulate classic physical modules of day’s past. Not unlike the analog Roland Juno Chorus effects (and others) from decades ago. 


FACChorus sports a simple and clean interface resembling a rack mount style with realistic, responsive knobs. The no fuss look may seem a bit dated to some, but fits right in all the same. It mirrors the actual signal path from left to right (input to output) making it quite intuitive. Not that there could really be much to confuse anyone, anyway. Plus, who cares about looks when what really matters it how it sounds.


So how does it sound? Well, it sounds really good, even through an iPads built in mic. Of course better with a plug in mic, USB or in a AU (Audio Unit) setting.  This Chorus unit has a wide range of possible effects from clean and subtle to clinically insane. Most iOS synths and iDAWs have a built in Chorus but lack any real versatility and often even with the most subtle settings, sound overly wobbly. FACChorus can be manipulated to suit any need for vocals, guitars, and of course iOS instruments. Lush, rich and wide. Spacey or water logged, FACChorus gets you there. 

The properly named presets offer a nice range of ready to go effect parameters suitable for most situations. There is now the ability to save custom presets added. 

While this great sounding effects unit supports Audio Unit V3, it does not support Inter-App Audio or Audiobus. Considering that most iDAWs (like Cubasis and GarageBand Mobile) support Au V3, it’s hardly any real concern. Au V3 basically works the same as IAA. 

It’s early still, and it’s already progressing thanks to a dedicated developer. 

That all said, for three bucks you get an incredible sounding Chorus unit that would’ve cost far more in the physical world. 

Keep an eye out for an OSX version that works very nicely with Logic Pro X, and GarageBand for Macs. 

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Four Of The Best New Music Apps From Q1 2014

It is subjective for sure when anyone proclaims anything to be “the best” in any category. I’ve given this much thought and sincerely feel the following new “must have” music apps released in this first quarter of 2014 are: Sector, microTERA, iVCS3, and Sliver.
In a way this is also a group review in addition to praise.

Let’s start with microTERA by VirSyn

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VirSyn has always offered excellent synth apps. microTERA is yet another to get excited about. In case you don’t already know, wave shaping synthesis is a distortion synth style with finely detailed spectra; bringing a sort of controlled chaos.
This wave shaping synth is not unlike Cakewalks Z3TA. However in my opinion, this one has a better interface and also a superior arpeggiator. Sound designing is very strong with its 3 adjustable sine oscillators, 4 LFOs, 4 (EG) Envelope Generators each with 64 time/level segments, 16 voice polyphony and of course monophonic. Exceptional modulation customization with all relevant routing possibilities.
Also included is the 32 step programmable arpeggiator found in VirSyns other iOS synths.

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This synth also has a collection of outstanding built in FX.
The range of sound types that can be created are as wide as one should expect. The results are often even better and if you’re in a rush or whatever and just want something random just touch the dice until you hear something you like.
It doesn’t have any significant weaknesses and performs well with Audiobus, and IAA.

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Whether you prefer heavily distorted leads that bash through your ears or silky smooth pads that exude living personalities, microTERA does it.
Just another remarkable synth offering from VirSyn.

Next up is Sliver by Alex Matheu

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Here we have a soundscape maker with four by four real time, resizable clip based segments that, depending on your preferences, alter the imported audio. Or the preset audio samples as well.
Each of these 8 total segments or “Slivers” can be automated and placed however you wish.

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The filters, size, and FX are each controlled with independent X/Y boxes.
Since everything can be automated in real time Sliver offers some amazing fluid control of the textures. Scrub out new soundscapes with truly expressive results.
It’s basically a hyper creative playground for creating unique new instruments which you can also play out with the built in keyboard.
Sliver is endlessly fun and inspiring.

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Shatter up some new sounds with Sliver. Sample and resample. Record, copy, paste, and send to AudioShare. Sliver supports MIDI and Audiobus input.
I can easily see this innovative app being used to live trip-out all within earshot. Bravo!

3rd up, (and this is not in any significant order by the way) is iVCS3 by apeSoft

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apeSoft, makers of the incredible iDensity, iPulsaret and more, has gone and done something special with iVCS3. This is an emulation of the old hardware arguably made famous by Pink Floyd back in the 70s. This tops my “Holy S#@!” list of cool things.
This machine was largely responsible for the wild sounds and eerie textures heard in Dark Side Of The Moon. It was also seen in Pink Floyd’s movie/video “Live At Pompeii” where Roger Waters was exploring this thing’s sonic capabilities.

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iVCS3 was created in 1969 and is considered the first portable synth. Largely used as a sound FX generator (Dr.Who fans know this) without a keyboard, it was later expanded with a (KS) sequencer and (DK1) keyboard connectivity.
This modular synth is gorgeously recreated and emulated perfectly. That may just be my opinion since I’ve never touched a real one, but I’m going to go out on a limb and say it anyway.

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This soft version is complete with not only all the original capabilities, but also loads of new modern uses for us to enjoy on our iPads; unlike anything Roger Daltrey could have imagined back in the day. Built-in dual samplers, MIDI, full Audiobus and IAA support, background audio, Dropbox, really just a huge list of features.
This even has 6 different reverb types including a spring convolution reverb, Quadratic Ring Modulation, delay, and noise generator. The features and specs go on and on.

All (or almost all) parameters are fully customizable right down to the color of the knobs.
The same old-time twist and plug routing exists such as the Trapezoid envelope controlled by a virtual joystick, and the modulation matrix with BattleShip-style pin placements instead of cables. So much to see, do, and hear with iVCS3!

It can be a little confusing at times, but there is a full instruction manual included within the app to guide you on your journey. A spectacular “Must Have”!

Last, but not least is Sector by Kymatica

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Kymatica is another one of my personal developer favorites. You can always count on something innovative coming from this guy. We all know and love his AudioShare app and AUFX series, and now “Sector”!

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Sector is a 32 bit sound engine, Stochastic, sample, slice, sequencer with markov-chain connections.
A 32 step sequencer with adjustable routing and wild probability sample, and slice order or chaos.
Creating glitches, and bizarre time warped sequences in Sector is crazy cool and fun.

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It’s not all just about flipping a coin to see what happens, there is also full standard sequencing control as well. Just tap and map out whatever sounds right to you. Countless musical possibilities abound.
It never gets old.
I think the sporadic randomness is the best part, but all together Sector is a mind-blowing new app that defines innovation.

Sector will have a built-in recorder soon, and of course you can bring your own samples in via the Open In function from other apps like AudioShare. Support for Audiobus and IAA are currently available now, with more MIDI connectivity coming soon.
Awesome!

To wrap this up, you may have noticed a slight trend with these apps. If not that’s ok. I see each if these as being a great representation for the innovative nature of their development.
We have loads of common emulations and even new things that, as great as they are, don’t really push things very far from what most think of as being conventional. iOS music is not just an interesting way to explore making music and having fun doing so. It is an opportunity unlike no other to find ways of being extra creative with the apps that can be made, where they otherwise can’t be.

If you want some new music apps that offer you huge musical inspiration, fun, and a different creative experience, then these are 4 of the newest and best. There are of course others, and there will be more. Check them out. Support great development.

EGSY01-Analog Synth – MINI Review

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EGSY01- Analog Synth is made by ElliottGarage
Available in iTunes App Store

EGSY01 is a 2 oscillator, virtual analog synth for iPad. A Audiobus, MIDI compatible synth app with support for iOS 7 inter-app audio.
It has a basic arpeggiator, and a 16 step sequencer. Variable latency settings, and modulating keys.
It has a impressive looking list of specs from the iTunes App description, but it’s all really just the very basics. Speaking about its synthesizer functions, they’re all things you find standard in pretty much every synth on the market.
A market loaded to the gills with analog synths, and with many that are very strong in the same price bracket.

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Thing is, EGSY01 isn’t doing much of anything to separate itself from the pack. It is decent, and at times I found I did enjoy the sound qualities , but it just isn’t all that versatile or original.
The arpeggiator is very simple, leaving me wanting more. The 16 step sequencer is cool, but again very simple.
Considering its price tag (currently) of $8.99 I expected something a bit stronger.

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While playing with EGSY01 I found that the virtual knobs were too touchy. Making fine adjustments is agonizing when a slight movement sends the knob to huge swings.
The noise filter sounds a little weak, and the Hi/Lo pass filters would tend to crackle if raised near their slider tops.
They don’t have resonance controls for some reason. I don’t think I’ve ever had a synth with Hi/Lo Pass filters that had no resonance controls?
The keys can control some modulation, like pitch, LFO etc, and that’s about all the routing you get.
The keyboard doesn’t move, but there is an octave slider on the left side of it which essentially accomplishes the same goal. I actually kind of like that more than a sliding keyboard.
I’m not saying this is a bad synth, but it doesn’t do anything new or better than any of the numerous options we’ve seen.
It might have been more impressive a few years ago, unfortunately today it feels like it lags behind in a very competitive market.

I’d say its an excellent starter synth for folks looking to try out their first iOS analog synth, but the price tag prohibits such a recommendation.
EGSY01 is functionally fine, with a decent sound quality, simple, clean GUI, but lacking any factors that inspire excitement in this synth lover.
If it were to ( and I sincerely hope it will ) be updated with more features, improved filters, more modulation & routing options, some innovative functions, and then priced at $4.99, I’d love to have another look at it. I love ElliottGarages EGDR808 app, so this is a little disappointing to me.
As is this is a $.99 synth that rides the middle of the road somewhere between being better than the worst, but not anywhere near good as the better synths. That all said, this is a synth to keep an eye on and hope for a lot more development, but I am sorry to say at nine bucks its not really a “must have” today.

EarWizard

EarWizard
By Wizdom Music
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EarWizard releases July 11 2013

Wizdom Music has been designing music apps for iOS a long while now. Jordan Rudess is one of the more recognizable names in music to start with and even more so among those who enjoy iOS as a creative option. We are used to seeing innovative music apps we can use as instruments or controllers from the Wizdom Music team.
EarWizard is something different and, at least speaking for myself, unexpected.
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EarWizard is a fun learning tool that helps one become familiar with scales & keys using a take on “Simon”. This makes the presentation of EarWizard as a game of sorts immediately understandable. It is familiar and fun while being educational at the same time.
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I don’t think I need to describe how “Simon” works, but I will describe how EarWizard puts its own spin on things. The concept is simple: you can change the key and game speed from the settings or begin with a tutorial.
You start off in a particular scale and key. Then select a level. Instead of boring sequences of increasingly complicated tones that must be repeated perfectly, there are windows displaying a short video of Jordan playing a chord. Starting off slowly and then progressing to a more complex series of chords to repeat. Easy enough.
Each correct interaction is followed by a pleasant audible indication. Make a mistake and you’ll hear about it with out of tune chords. A clear indication an error has been made.
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As you play through it becomes more and more challenging. I found that along the way I had been learning to recognize keys. Such is the benefit of this game.
What really kept my attention other than just trying to concentrate on recognizing each key, was the videos of Jordan. He makes different facial expressions for each video where he strikes a chord on a piano. They range from benign to hilarious. I found myself a little distracted at times because I ended up laughing at the expressions he would make. I mean this as a compliment. It kept me interested and always looking forward to seeing what he would do next.
I really thought that was a great idea, and it works for me. You really gotta just see it for yourself.

EarWizard is a fun way to either develop or exercise an existing skill and have some fun while at it.

EarWizard was tested on iPad 3 & 4

Additional Screen Shots

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Vio – Mini Review

Square B Vio created by Square B

Updated: May 1st 2013

Vio now has Audiobus support. Landscape is now supported and advanced features are visible by default. Some other improvements have been made with stability and the interface. I don’t know about you, but I’m really glad for Audiobus support. This app can be loads of fun, but now its more convenient and useful. A cool app for sure!

Vio is the first app that made me briefly believe I could actually sing. I can’t, but Vio does an amazing job with transforming my terribly tone deaf vocal efforts into perfectly tuned crooning.
Mostly Vio effects whatever audio is put through it in unusual, but cool ways. With the “Advanced Settings” enabled you can make sure its all in tune with more options for key and scale.

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Visually, Vio is pretty though simple. As you can see from the screen shots there are a few different shapes to choose from. Additionally there are several unique “Sounds” to choose from. They each have a unique quality, but some sound much like others with subtle differences that become more obvious through touching the screen, pinching and dragging around.

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Vio turns your iPad into one big X/Y controller to interact in real time with whatever audio its capturing. The sounds or effects, range from deep reverberated space, to closed in, modulated, vibration, and robotic sounds. They are good FX for not just singing but for any live audio you might want to spice up. Experimenting will reveal entertaining and practical results.
The built in device mic works fine, but I’d recommend using a separate microphone like an iRig Mic.

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Yes, Vio has Audiobus support coming for the “Input” slot in its very next update! It’s already shown in the Audiobus input apps selection.
Id have liked to see Vio with support for the “Effect” slot, but sadly not yet. Using it while recording from your preferred “Output” app is effortless. If you do not wish to take the bus, Vio also has DropBox, SoundCloud, AudioCopy and iTunes File Share to move your Vio recordings. I love how something as beautifully simple as Vio can be such fun and inspiring.

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Fun and useful, Vio is available in your iTunes App Store