Apple

Cubasis 2 – What it should be

Cubasis Mobile Music Creation

Developed by Steinberg

Available in the iTunes App Store

I have had a love/hate, and often hostile relationship with early versions of Cubasis. I make no apologies, there were serious early version issues, missing critical features, and deal breaking problems. This is no longer the case. Cubasis 2 is not the same as those early versions that crashed, or deleted entire projects with a single ‘Undo’ tap for a minor correction. No, not at all. Cubasis 2 is now, what I expected then. A quality, powerful, and smooth iDAW I can rely on. That’s how I would describe it today. I trust this newest version and love it. 

In this review on the new and vastly improved Cubasis 2 I’ll cover the most relevant parts as I experience them. For more detailed technical specifications and complete list of features, I encourage you to visit Steinbergs website.

In case you didn’t already know, Cubasis is a mobile DAW (Digital Audio Workstation) with unlimited audio or midi tracks. It’s packed with many virtual instruments, samples, drum kits, and a decent suite full of basic audio effects. Of course that’s not all. Cubasis is truly packed with content, features, and options to help any creative flow get things done. One of the best things about this is it’s user interface. A very pleasant, smooth design that makes you want to use it. Digging through menus is not something to worry about. Steinberg really paid attention to making everything look easy. Don’t let that fool you, this is not a toy, and the appearance of simplicity is only a comforting mask that when lifted reveals great depth in a powerful workstation.

When it comes to working fast and efficiently, this is the DAW I find myself gravitating towards almost exclusively. Deep midi support is presented in a way that even audio-centric folks like myself, who sometimes resist using midi find it to be more intuitive than others. Those who are midi savvy will appreciate this ease of use as well as its reliability for even complex uses. Routing in general is super clean. Routing Inter-App Audio, or Audiobus is just as fluid as can be expected. 

Mixing looks and feels like you might expect. A simple tap on the Mixer button reveals the mixer board. If you don’t know already, it’s where you go to make  various adjustments to the overall mix, such as levels, pan, effects routing, and set automation read/write. 


Cubasis 2 now has a very nice Channel Strip. It’s a very welcome addition. Now controlling sound in detail for all channels is a option. Hi and Low cut off filter, Noise Gate, Compressor and Saturator tucked neatly into a always accessible pop up. You can really control your sound making the best possible mix. This was something sorely missing from early versions, but thankfully is currently a quality option included with the app. Some might say it’s an essential tool, and I would agree. In the past when there was no Channel Strip, it was simply put a real bummer. This is one more reason to take Cubasis 2 a lot more seriously. 


Another early version absentee was Automation. They’ve gone and added Automation (a few updates back actually) with complete set of easily assigned automation parameters. Finally I can really dig into things making specific tweaks throughout the track or global mix. Without automation it was very difficult to feel like I wasn’t playing with a gutted or lite version of a DAW. It’s such an important aspect and increases the overall professional feel of this app. I don’t know how anybody can take a DAW seriously without Automation as a standard function. I’m getting off track, but the point is it’s now an available built in option that many of us were baffeled by it being MIA in very early versions. I thank Steinberg for bringing this in. Better late than never, right? Cubasis with Automation, yes! 


Again like a broken record I will complain about the standard FX units. There are many standard FX included, and they have improved some. No you won’t have an awesome convolution or spring reverb unit, but for a few more bucks you can get an FX pack with much better versions of some of the built in FX and then some. With each pack you will get new FX units that are significantly better than average. I only have the FX Pack 1. The Stereo Imager came with it and I find it to be indespensible. They also don’t seem to be quite as big of a CPU drain as I expected. If you use them a lot in tracks, especially reverb units, you’ll want to consider using the Track Freeze option to help minimize demand on system resources. It’s not permenant and you can freeze or un-freeze whenever. Nicely done. 

A very recent addition is the Spin FX unit. DJs will appreciate this, but not limited to just them. It’s also pretty fun. 

Still just a 4 band studio EQ, but unless you want to do your mastering here it shouldn’t be an issue.The EQ is certainly good enough for general uses, but if you need more there’s always an app for that. 


Working within Cubasis 2 is very predictable. That’s a good thing. Double tap a waveform to bring it up below for a complete set of editing tools. Fix, trim fade, etc. If it’s a MIDI (or using included instrument and samples) track the same double tap brings of a fully functioning sequencer. Quantize, edit, and compose sequences with great ease. You won’t need much else. 

Cubasis 2 also has a minisampler with some included presets. This was another early feature that was missing. With the mini sampler you now have the capability of creating your own instruments in house. That’s very nice to have and opens up even more creative scenarios to explore.

Cubasis 2 is loaded to the gills with virtual instruments, drum kits, samples, and has a emulated analog synthesizer. The Micrologue synth is a basic analog style and has a growing library of presets. It also affords the usual synth patching parameters to the user to customize unique sounds. A new suite of 76 modern presets have been added. It’s a nice little synth, not bad. Not extraordinary either, but I like it and am glad to have it included.

The Microsonic (also included) offers hundreds of other quality sampled instruments. It now has some cool 60s era TAPE instruments faithfully recreating the iconic sounds of the time. 

Cubasis 2 has brought so many new tools, features and options. It’s hard to catch them all. Another new option is Real Time, Time Strech. Now you can load audio loops and have them match your mix perfectly. 

I’ll wrap this up, knowing I’ve left some things out but with a reminder to check the Steinberg site for all of the details. That said, Cubasis 2 is the new standard for mobile DAWs. It may not be perfect but come on, we are working on iPads after all. What it’s missing pales in comparison to what’s not and can almost always be made up for by another dedicated app. I’m a little sad to say I just don’t even use my AuriaPro much anymore and favor this much of the time. When it comes right down to it, what do I want to use that isn’t compromising my expectations of quality?  The answer is Cubasis 2. 

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DRC Polyphonic Synthesizer – Review

DRC Synth is developed by Imaginando

Available for free download in iTunes


I’ve seen, used, tested and yawned at every iOS analog emulated synthesizer. This is one particular type of synth that are dime a dozen and not short on competitive options. I’m not saying that DRC isn’t good. In fact I think it’s great. While most developers are creating a graphical resemblance to old hardware to tug at our nostalgia heart strings, these guys are putting the focus on not what you see, but how you use what you hear. 


DRC most resembles the robust and brutal sounds of iSEM (the Oberheim remake for iOS) or iMini (Or Mini Moog) with its signature sound. This definitly is a well made emulation that packs a wallop with the best. This 8 voice polyphonic analog* synth is clearly not just another sell out 2 oscillator emulator of historic hardware trying to cash in on something famous that is either hard or impossible to find. No synth lovers, they really put their hearts into this. One could argue that we have plenty of these already. True, but this not only has the sound talking the talk, it also has a interface of minimalistic design that walks the walk where functionality is concerned. 

The beauty of the simplistic and minimalist user interface design is no accident. It surely isn’t lazy or result of lacking creativity. Everything you need to use, can be used all on this one screen. No interruptions with page swiping. Just set or select the parameter tabs from the 4 quadrant window panes. It promotes a very comfortable usability that’s been largely overlooked by most. Adjusting parameters while playing live in real time allows you to bring new life and evolution into a sound while being performed. This is one of a few instances where I felt really at ease playing the keyboard and slowly maipulating a filter or noise generator at the same time. It feels right. 


Among all of the usual 2 oscillator analog emulators, DRC has something else I found interesting. The above image shows the Mod Wheel and After Touch controls. It also shows the key and scales options. At the bottom with the key labels, flanked to the right and left are ribbon controllers. I couldn’t find anything in the manual that explained them? They can be used to play through the notes of the scale. Whatever the intention is, I found them to add a little extra dimension to certain aspects. They are especially handy while using the arpeggiator. Not sure this was worth getting fixated on, it’s not the first time I’ve seen ribbon controls, but the location is what got my attention. Anyway, I just happen to like it. 

DRC has the MIDI, Audiobus, Inter-App audio supports like we expect. Abelton Link is also supported. You can use the cloud to easily share patches among your devices quite nicely. The usual filters are available, and for a synth of this breed they are the fine quality most would demand. I don’t like listing every parameter, so just check the app page in iTunes to get the full list, or visit the developer website. Both are linked at the very top of this review. 

In the modifiers DRC has something here that you don’t see every day. In the LFO waveforms options is a FS&H, Filtered Sample and Hold. It works similarly to the Sample and Hold waveform that is more common, but ramps up from one random position to another more smoothly. It has a very interesting effect to the LFO behavior. 

It has a Chorus, Delay and Reverb effect unit. You can use the Notch filter cutoff and resonance to make your own phaser effects. All pretty standard stuff. The Reverb is intentionally unrealistic and generates an interesting artificial, spacey component to the sound. It’s not designed after any real world units, or even a simple plate. It’s just a long crazy reverberation effect intended to add more depth to a sound. Interesting, but ultimately still just a cheap sounding reverb. I should add that I’m a reverb snob, so don’t put too much into my comments on this part. I just feel it could be better and remain an equally interesting sound effect. 

Free to download, DRCs synth engine is fully operational for 7 days before purchase is required to permanently unlock and use. It’s worth giving a shot if you like iSEM or iMini type sounds. If you don’t have those apps but want that type of sound, this could be a great first choice.