CSOUND

Convoluted Spectral Filtering

3 Incredible special effects apps combine to astound us!

Big tough words right? Well, I’m serious. I’ve had some time to really sit and dig in to 3 relatively new effects apps from 3 of my favorite developers. Time enough to discover that there’s not enough time to discover it all.
Individually, each is simply marvelous in their own right, but combine them and you have a massively exciting audio trilogy of sound effects goodness.

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apeFilter by http://www.densitygs.com

IMG_0570-0.JPG AltiSpace – Convolution Reverb by http://audio-mastering-ipad.com

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csSpectral by http://www.boulangerlabs.com/products/csspectral/

These incredible effects apps each have uniquely outstanding qualities that by themselves would be fantastically satisfying and hugely time consuming.
Plenty of joy will come from each one, offering loads of creative experiences.

It’s when they are placed together, working in harmony through Audiobus, that they stand together like a trio of god-like rock star band mates ruling the heavens of audio special effects. Special effects gone totally bananas.
Choose your Input > Effects > route and run them all into your favorite iDAW (or Output) app to capture the sonic sundae.
Typically I use AltiSpace in the middle, between aprFilter and then csSpectral, however this combo is not only excellent but also demanding on your device. I’d not recommend anything less than iPad 4 and preferably iPad Air. Depending on your device and needs, 512 latency should be fine.

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I load up my sample with apeFilter and make initial filtering adjustments. apeFilter has excellent sample and frequency control both backward and forward which can be manipulated in real time, any time.
The interactive GUI is perfect for controlling up to 36 peaks filters frequencies. Packed with high quality common filters (Lo/Hi and band pass, notch, and Hi or Lo shelf) and some post effects like delay and compression apeFilter is perfect for shaping your samples.

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Don’t forget the spectral grid where you can finger paint your way through the pitch space using the 4 compilers. Try it out and you’ll see.

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Next I have AltiSpace Convolution Reverb in the effects part of the chain. This is the first stand alone convolution reverb unit for iOS. In case you’re wondering what a convolution reverb is, it is a form of reconstructing the reverb effect of other reverb effects units. Taken from actual impulse response recordings or real world acoustical reverberations emulated digitally. It’s a lot of complicated math I won’t pretend to understand, it’s just really good. AltiSpace recreates some of the best reverb units made.

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Something you might notice that’s very different from algorithmic reverbs is the convolution reverb doesn’t have all those parameter controls you might be used to. Controls like tail, width, and swirl etc. Instead of tweaking various parameters, you just select a different IR or impulse response. With 250 loaded IRs there’s no shortage. Plus you still have basic parameter controls including some EQing and a super cool reverse option. I love the reverse part.

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In the last or output spot I use csSpectral. A Csound based multi effect processor. This thing is amazing. Nearly every parameter of each effects unit can be randomized and automated. There are 7 FFT (fast Fourier transform) based algorithmic spectral types. Including a Phase Vocoder, spectral blur, spectral re-synthesizer and more. There so much you can do with any one of these and you’re still only just getting started with this app.

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The 12 total variations of the DSP effects bring a truck load of sound effects goodness to the table. Basically there’s 3 variants each of the 4 effects units.
Multi-Mode Filter, Stereo Glitch Delay, Micro Cutter, Phaser Reverb, Modal Resonator, LoFi Delay, Bouncer (Cutter), Ball In The Box Reverb and more. Each have something special to offer. csSpectral is a big scary beast.
It’s just too much fun to play with sound in this.
Recording and editing the resulting samples are a cinch.

There is no rule you need to follow here. Like I said each app stands alone with its own greatness. I just happen to think altogether they make an impressive team.
It’s all going to be in how you use them, but the capability is there. Only the users themselves are responsible if they end up having a disappointing experience.

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iPulsaret – Review

 
 
By: apeSoft
Visit the website for iPulsaret and more HERE

iPulsaret

Designed for iPad 2&3

apeSoft is well-known for its Density/Pulsaret Granular Synthesis programs for Mac/Windows. Having happily experienced their first entry into iOS with iDensity, it took little for my ears to perk up at the mention of iPulsaret joining the club.

iPulsaret is an audio sandbox where you can manipulate all the time-domain varieties of granular synthesis in real-time. Huh? Basically, you can take your music, audio files, and  audio recordings and create some great detailed textures from subtle to wildly dramatic effects.

 
All on one responsive screen

“microsound granular synthesis for iPad”

The interface is very familiar to those who have had the pleasure of using iDensity. Everything is right there on the screen. I found it to be similar in appearance, and extremely user-friendly. No confusing menus, or hidden functions that can’t be found intuitively. You can see from the screenshots various icons representing the many effects & tools, as well as the slider controls for the primary grain manipulations.

The many effects icons are not obvious at first glance as they are not labeled, but after a brief period of getting familiar with them, the waveform illustrations for each will make sense fast. Learning as you explore is always fun, especially here.

Take a snapshot of your sound “A snapshot is a photo of all parameters Granulator and FX values.”

As you go try taking “snapshots” ( just tap the camera icon ) as you progress with tweaking. They can be assigned manually but the first 4 snapshots are assigned by default to the snapshot pad. Bring up the snapshot pad (even to full screen) and a grid containing the 4 snapshots can be controlled by touch. Theres lots of math and complicated terms, but essentially moving from the center of each to and fro will control hundreds of parameters impacting what you play out on the keyboard. This is very cool!

iPulsaret is clearly made to be easy to use and understand. It’s perfect for spontaneous use. Since it allows you to record using your iPads built-in mic, you’ll rarely miss a opportunity to capture some interesting audio anywhere you and your iPad happen to be. Of course you can use a separate mic like the iRig Mic, and that would be recommended over the built-in mic. Ive been experimenting a lot with iPulsaret to see what new things it will allow me to do. I’ve found it to be very stable, for one thing. It also is amazing for taking a simple, mundane sound and turning it into a new playable synth sound. It appears what really separates iPulsaret from iDensity is its more synth-ish where iDensity is more drone-like. They are different nonetheless in that iPulsaret can generate thousands of grains dynamically. This is quite different from traditional synths with fixed voices or oscillators. I suggest for a more comprehensive explanation of granular synthesis to click HERE for the full skinny.

“Control and shape grains, anytime, anywhere with iPulsaret for iPad.”

Complex, and beyond my technical understanding as granular synthesis may be, as an artist using the software myself I can say that iPulsaret is extremely well made. It fits in perfectly to my workflow offering a great many options to create unique sounds you wont hear anywhere. I’m sure anyone would agree iPulsaret is a highly capable, useful program. I havent had it crash, or fail at all. Getting started with the included library of samples leads the way to inspiring user creativity. As I mentioned you can record directly with your iPad or other compatible microphone. Additionally you can easily add your own WAV, AIFF, files via iTunes File Share, Sonoma AudioCopy/Paste and Dropbox are also supported.  iPulsaret plays well with others and can be run in the background.

Saying “I dig iPulsaret”  might be an understatement. So far as granular synths go it has the greatest capabilities, and is very playable. They really put a lot into this making it very strong. The last update (1.0.3) increased its iOS compatibility back to iOS 5.1. Also added in that update was MIDI in keyboard support with pitch bend. There weren’t many to begin with but the bugs were fixed, and some more improvements were made improving the UI and routing. I certainly recommend iPulsaret highly, a truly 5 star app.

Buy iPulsaret in iTunes HERE and get grainy!

csGrain – Review

Grains Of Change

Review based on use with iPad 2&3

csGrain using the CSOUND software synthesizer and signal processor gives us a great set of tools to record and process audio in real-time.

Take a live or imported recording and dramatically morph them into whatever your imagination inspires. So much can be done using the powerful stereo granular sound processor and 10 professional audio FX simultaneously. Its cool!

A clean interface lets you get things done without any hassle or confusion. Everything is laid out nice and tidy right in front of you. Maybe a bit drab in appearance, but pretty slick nonetheless. No worries about trying to find anything here.

I’ve spent many hours enjoying the range of options tweaking various recordings I made resulting in some rather wild samples. I love that you can set each of the parameters to move within a predetermined minimum to maximum range or totally at random. A long touch on any of the knobs leads to the Random Settings where you can choose to have that particular function move within the selected range. If you can’t decide on what to set things at, just hit “randomize”.  The knob will darken so you don’t lose track of it.

 Overall the audio quality is really very good. I didn’t experience any unwanted noises. It all came out sounding clean, and just as intended. The 10 FX are well made. The Reverb is pretty thin, and leaves much to be desired though. Applying all 10 FX at once didn’t even cause me any grief, and csGrain just kept working away twisting up the samples for as long as I recorded them.

The included preset samples are nice, but of course its  more about playing with your own. Managing your audio files and recording is easy within the app. You can save your things in the “My Audio Files” section found at the bottom of the screen. From there you can also select and do a simple edit of the file. csGrain also is great for field recordings using (careful of feedback) the device mic, or better an iRig Mic.

Import supports AudioPaste, Dropbox, and iTunes. Export via Email, Dropbox, AudioCopy, and “Open In…” Sharing made easy, just how we like it.

Also included is a handy, detailed user manual complete with well written instructions, and sample photos. If that still doesn’t answer your question, you can Email Customer Support from the manual.

If you want something for manipulating recordings in subtle to crazy ways that sounds great, csGrain will do the job. This is a wonderful app loaded with tools, features, and functionality. This is where you go for special audio effects for your music or audio projects. If you want to have some fun, you can also mess up tunes from your iPod library. Why not? Pitch Shift, & speed up the latest viral hit from that obscure hippity hop artist that just wont go away. Whatever you want to do, in this app you can certainly do it with Grain Style!

 

  5 Stars – Recommended Highly!  Visit iTunes to purchase csGrain