VirSyn

Addictive Pro – Synth of the year?

Addictive Pro Developd by VirSyn

Available in iTunes App Store


It’s hard to not “squee” like a fanboy whenever I see something new from VirSyn. They just don’t disappoint with their high quality, user friendly, powerful and affordable products. Addictive Pro (not to be confused with the awesome Addictive Synth) is yet another outstanding offering from this top tier developer. 

Addictive Pro is a ‘hybrid synthesis algorithm’ based instrument with wavetable spectrum synthesis of up to 12 oscillators, with a virtual analog, noise spectrum, FM and ring modulator synthesis engine.  Further refinement of the sound is had with its well emulated classic analog filtering. A mouth full, I know and we are just getting started. 

Part of what makes this so great is the familiar or intuitive user interface. Start out easy with the ‘easy control’ to begin your trip. Two large customizable X/Y touch controllers dominate this first screen separated by the 4 major randomizable control sections; Wave, Mod, Arp, & FX. Tap the dice for one or all and receive something new and likely unusual. This will get you started very fast with no fuss. It’s also pretty entertaining to roll the dice. If you don’t like what you get, tap the parameter die again for a new roll. Repeat as necessary. Don’t give up too quickly though, you just might end up with something unexpected if you take some time to dig down and start tweaking specific pieces. Explore and you will be rewarded.


When you start to dig in you will likely start with checking out the tabs to the right of ‘easy control’. Here on the wave a, wave b, spectrum a, or spectrum b tabs you will find some real meat to bite into. Draw on the wave or spectrum to make broad or fine adjustments. Change the harmonic content from a wide selection of presets. Select the base set of harmonic partials. Set and configure oscillators. Or hit the randomizer again to roll the dice for something new. Need help? All screens have a “?”(Help) to tap that (as shown in above screen shot) will briefly describe each parameters behavior. More detailed instructions can be found at the developer website, linked at the top of this review. 

Each parameter field has some form of a menu to open. As shown above, touch the “Configuration” box to bring up the options for that parameter. Wave a, and b can be wildly different and further mapped out sonic realms can be explored and designed in great detail. The Stereo Width and Fatten are two nice parameters that should not be ignored. The ‘shadow oscillators’ and stereo impact can be manipulated for a delicate or brash effect. 

The virtual keyboard is pretty standard with programmable key and scales. Aftertouch controls can be assigned and routed. Adjust keyboard size, lock it etc. I think little need be explained here? Pretty standard stuff. 


The Mod section is where things get fun. 9 banks of modulation options with general base value controls and further detailed controls are revealed when touched and selected. Assign, route and edit values for modulation. LFOs have 6 wave form options, phase and delay rates. ADSR, Analog Filters and more can be found for a powerful set of modulation tools. 


I just wanted to show the Mod section without the “?” Help turned on. 

The Arp section has the usual and excellent VirSyn arpeggiator but with a added twist in Addictive Pro. It’s a 4 part polyrhythmic arpeggiator. This is very cool. Basically a 32 step sequencer with 4 separate parts, or ‘tracks’. This is a special feature in my opinion, for any synth. This is an amazing way to create grooves and melodies with intricacies not commonly provided. Each part can have a different clock or pitch with a step offset to make rich sequences. Individual run switches that when selected are always in time. Each part also has its own “Quick Edit” set of parameters to customize the sound. It’s really a remarkable feature with huge possibilities to explore. Plus you can record right here in the app. 


Most synths have FX of mediocre quality. VirSyn doesn’t skimp on the FX like other do. Each of the 7 FX banks sound very good. You won’t get a better reverb unit that is built in to another synth. When VirSyn says “Hi End Reverberation”, they aren’t over selling. It really is hi end. Not quite as hi maybe as a stand alone dedicated reverb app, but still very nice. All of the FX units are well done, and don’t sound like last minute cheap add ons. 

To sum it up, Addictive Pro is a highly capable, powerful synthesizer packed with all of the tools and parameters you need to make just about any type of sound. A sophisticated hybrid, wavetable oscilator synth that is stable and complete. Supports Core MIDI, Inter-App Audio, Audiobus 2, Abelton Link and more.  If there’s only one iOS synth to buy so far this year, it’s Addictive Pro. Short of a remarkable new release from another developer I’d call this the Synth of the year! 

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CubeSynth – Review

CubeSynth
Developed by: VirSyn
Available in the iTunes App Store

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I have to admit, I am a big fan of VirSyn. They’ve been delivering some of the best software instruments to desktop computers for ages. It’s their iOS entries that have captivated me. I’ll try not to “fanboy”, but holy cow! CubeSynth is fantastic. I’ve enjoyed VirSyns AddictiveSynth since it launch a while back, and I just didn’t expect them to drop this one on us. I’m so glad they did!

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CubeSynth is not at all like AddictiveSynth except for the fundamental features and the ingenious arpeggiator.
This is an additive synthesizer with a deep set of controls to morph sounds. A huge spectrum of sound capabilities await your touch to sculpt, tweak, and evolve dramatic and detailed soundscapes.
4 predefined sound sources (A,B,C,&D) independently controllable with their own draw screens, are where the magic happens. At least that’s a good place to start. There are literally thousands of parameters to be manipulated. With each of the 4 sources are a set of 6 controls you can adjust in extremely fine detail. Up to 512 adjustable partials per voice, numerous Wave Source tools, and options options options galore open up a universe of amazing synth sounds. This is a grand synth of massive functionality. Morphing done right!

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I’ve spent several days engrossed within CubeSynth. It could easily be a big time killer for anyone who loves complex synth controls.
When you open the Sound Source control screens you are presented with a draw screen to manage each if the 6 sound modifiers. Level, Pan Position, Attack, Decay, Filter, and Noise. As I mentioned this is also where you can select wave sources from various types to apply in any combination. Maybe I’m a bit odd, but I find this sort of control to be extremely satisfying.

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Control the harmonic or in-harmonic spectra, brightness, pitch, modulation assignments and so much more.
CubeSynth has 3 envelopes with 64 time/level segments. Again these are touch manipulated and impact how the overall sound morphs.
How each parameter behaves is very detailed and allow a range of short, and subtle to long, spread out changes. You could easily create a single patch that will take on its own life and direction as though its a song of its own by just holding a key or keys.
Like AddictiveSynth before, CubeSynth not only has an insane amount of complex details to control, but also a randomizer. Tap the dice and CubeSynth will make a patch for you. This can be very helpful when you just want to be surprised with something to build off of. It may take a few rolls of the dice, but something interesting is bound to happen.

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CubeSynth shares the brilliant Arpeggiator found in AddictiveSynth. Create sequences up to 64 steps. Each step has its own accent, tie, octave, and key setting. It can trigger single notes and chords with a general Gate, and Accent dials. I’m really glad to see that VirSyn left the arpeggiator alone. It has been my favorite arp among all of my synths. It just can’t be topped in my opinion.
Of course there are also a healthy number of preset arps, and synth patches to choose from. If you liked the dice for the synth, you’ll probably find them just as intriguing when rolling them to randomly create a new arp sequence.
VirSyn says in the app description the randomized arpeggios are “%100 usable”, but I kind of disagree. Many times I’ve rolled the dice and ended up with an arp that just made no sense at all. Sure there have been a bunch that miraculously hit the right spot, but far from %100. Nevertheless, it’s still a great function. Besides it’s more interesting to make something yourself. Isn’t it?

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We can’t have a synth and call it full featured without the obligatory FX banks. In many cases these are pretty generic and just tacked on other synths. Not CubeSynth. Each of the 7 FX are quality options. Not quite as detailed as what’s probably found in your iDAW, or stand alone FX apps, but very capable with excellent sound characteristics. Included FX are: A Hi&Lo EQ, Phaser, Delay, Overdrive, Ensemble, Chorus, and Reverb.
Except for the Overdrive, & Ensemble the FX each have a fair amount of adjustable parameters to fine tune the specified effect.
Reverb for example, has diffusion, absorption, tail delay, and tail stereo controls beyond the standard size and wet/dry adjustments more commonly found in most synth apps. Like I said, the CubeSynth effects all sound very good making them more desirable for use than most synths.

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Complete is really a accurate descriptor of this synth. MIDI, Audiobus, AudioCopy, and a built in recorder round out the list of useful features. Plus the keyboard can be programmed to a lot of scales and all keys.
I didn’t list every specification but you can visit VirSyn for more details and information.

Do I recommend CubeSynth? Yes! I can’t really recommend CubeSynth any higher. I’ve not experienced any problems or shortcomings. It hasn’t crashed on either iPad 3or4 (haven’t been able to try on an iPad 2 first hand, but it does work just fine on iPad 2) the only thing that made me scratch my head was when I was slowly moving a finger up a white key to manipulate the assigned modifier, the closest black key was triggered without ever touching it. Big deal? Maybe. Maybe not.
Inter-App Audio is not yet part of CubeSynth but VirSyn confirmed that it is coming.
!!***!!***!! UPDATE !!**!!**!!
CubeSynth now supports Inter-App Audio. As of 11-25-2013 CubeSynth and VirSyns AddictiveSynth both support IAA.
This is a must have synth. Great sound, great features, great variety. There aren’t a lot of iOS synths that can create enormous evolving soundscapes, rich pads, leads, and all things in-between quite like Cube.
Just get it.